George Mathews(1911-1984)
- Actor
Burly, craggy-faced tough guy actor George Mathews was brought up in
Manhattan and educated in Brooklyn. He had an extensive career on
stage, which began in the early 1930s, after he failed to get a job
with the US Post Office. Instead, he joined the WPA (Works Progress
Administration) Theatre Program, a government agency that provided jobs
for the unemployed on public works projects during the Depression. He
first appeared on Broadway in the key role of Dynamite Jim in
"Processional" (1937). With his broad face, strong eyebrows, gravelly
voice and jutting lower lip, Mathews was invariably cast as heavies or
hard-as-nails military types. He appeared to great effect on stage in
1942-43 as Sgt. Ruby in "The Eve of St. Mark" on Broadway, and repeated
his role in the film version
(The Eve of St. Mark (1944)),
a perfect showcase for his screen personae. Not just a one-note "plug
ugly", he was equally as effective at portraying comic toughs, which he
did in Pat and Mike (1952), becoming
the recipient of some judo action meted out by
Katharine Hepburn; and the
Garson Kanin-directed musical comedy
'Do Re
Mi' (1960-62), as Fatso O'Rear, starring Phil Silvers.
Mathews also acted in classical plays like "Antigone" (1946, as a
guard) with Cedric Hardwicke and played
Mitch in "A Streetcar Named Desire" (1949-50), going on tour with
fellow cast members Uta Hagen and
Anthony Quinn. This performance
garnered some critical accolades from
Brooks Atkinson of The New York Times.
In 1950, he joined Tyrone Power in a
sell-out London production of "Mister Roberts" at the Coliseum Theatre,
playing the role of the captain. In films, he was notable as the
gambler Williams in the powerhouse drama
The Man with the Golden Arm (1955)
and as the sadistic Sheriff Bull Harper in the colorful western
The Last Wagon (1956). Mathews
also had a recurring role in the TV comedy series
Glynis (1963), playing ex-cop Chick
Rogers who aids and abets mystery writer and amateur sleuth
Glynis Johns in solving a string of
"whodunnits".
In private life, Mathews was the antithesis of the ruffians he often
portrayed on screen: amicable and intelligent. Outside of his
profession, he was an avid chess player and often participated in
international tournaments. He retired from the acting profession in
1972 and died in South Carolina in November 1984.
Manhattan and educated in Brooklyn. He had an extensive career on
stage, which began in the early 1930s, after he failed to get a job
with the US Post Office. Instead, he joined the WPA (Works Progress
Administration) Theatre Program, a government agency that provided jobs
for the unemployed on public works projects during the Depression. He
first appeared on Broadway in the key role of Dynamite Jim in
"Processional" (1937). With his broad face, strong eyebrows, gravelly
voice and jutting lower lip, Mathews was invariably cast as heavies or
hard-as-nails military types. He appeared to great effect on stage in
1942-43 as Sgt. Ruby in "The Eve of St. Mark" on Broadway, and repeated
his role in the film version
(The Eve of St. Mark (1944)),
a perfect showcase for his screen personae. Not just a one-note "plug
ugly", he was equally as effective at portraying comic toughs, which he
did in Pat and Mike (1952), becoming
the recipient of some judo action meted out by
Katharine Hepburn; and the
Garson Kanin-directed musical comedy
'Do Re
Mi' (1960-62), as Fatso O'Rear, starring Phil Silvers.
Mathews also acted in classical plays like "Antigone" (1946, as a
guard) with Cedric Hardwicke and played
Mitch in "A Streetcar Named Desire" (1949-50), going on tour with
fellow cast members Uta Hagen and
Anthony Quinn. This performance
garnered some critical accolades from
Brooks Atkinson of The New York Times.
In 1950, he joined Tyrone Power in a
sell-out London production of "Mister Roberts" at the Coliseum Theatre,
playing the role of the captain. In films, he was notable as the
gambler Williams in the powerhouse drama
The Man with the Golden Arm (1955)
and as the sadistic Sheriff Bull Harper in the colorful western
The Last Wagon (1956). Mathews
also had a recurring role in the TV comedy series
Glynis (1963), playing ex-cop Chick
Rogers who aids and abets mystery writer and amateur sleuth
Glynis Johns in solving a string of
"whodunnits".
In private life, Mathews was the antithesis of the ruffians he often
portrayed on screen: amicable and intelligent. Outside of his
profession, he was an avid chess player and often participated in
international tournaments. He retired from the acting profession in
1972 and died in South Carolina in November 1984.