Critical Quarterly (2009) - Difficult work in a popular medium: Godard on 'Hitchcock's method'
Details
- article: Difficult work in a popular medium: Godard on 'Hitchcock's method'
- author(s): Rick Warner
- journal: Critical Quarterly (01/Oct/2009)
- issue: volume 51, issue 3, page 63
- DOI: 10.1111/j.1467-8705.2009.01875.x
- journal ISSN: 0011-1562
- publisher: Blackwell Publishers Ltd
- keywords: "Hitchcock - the First Forty-Four Films" - by Eric Rohmer and Claude Chabrol, "Hitchcock at Work" - by Bill Krohn, Adrian Martin, Alfred Hitchcock, André Bazin, Bill Krohn, Brian Henderson, British Film Institute, Cary Grant, Christopher Emmanuel Balestrero, Claude Chabrol, Comparative studies, François Truffaut, Grace Kelly, Henry Fonda, Ingrid Bergman, James Stewart, Janet Leigh, Joan Fontaine, Joel McCrea, Kim Novak, Laura Mulvey, Marnie (1964), Motion picture criticism, Motion picture directors & producers, New York City, New York, Notorious (1946), Psycho (1960), Raymond Bellour, Raymond Durgnat, Rear Window (1954), Strangers on a Train (1951), The Birds (1963), The Man Who Knew Too Much (1934), The Wrong Man (1956), To Catch a Thief (1955), Vertigo (1958), Éric Rohmer
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Abstract
Warner examines Godard's use of Hitchcock-style imagery and cinematic techniques in Histoire(s) du cinema. An exploration of the differences between the two directors is presented.