Details
- article: She's Too Everything: Marriage and Masquerade in "Rear Window" and "To Catch a Thief"
- author(s): Sarah Berry
- journal: Hitchcock Annual (2001)
- issue: pages 79-107
- journal ISSN: 1062-5518
- publisher: Hitchcock Annual Corporation
- keywords: 1950s, American cinema, Character, Color, Costumes, Feature films, Femininity, Film (Productions), Film (USA), Film criticism, Gender Theory, Identity, Grace Kelly, Marnie (1964), Marriage, Performance Theory, Rear Window (1954), Relationships, Women, Alfred Hitchcock
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