Details
- article: Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still
- author(s): E. Todd Flegel
- journal: The Journal of Film Music (02/Dec/2010)
- issue: volume 1, issue 2/3
- DOI: 10.1558/jfm.v1i2/3.185
- journal ISSN: 1087-7142
- keywords: Academy Awards, Alfred Hitchcock, Alfred Newman, Bernard Herrmann, Dimitri Tiomkin, Franz Waxman, François Truffaut, Gregory Peck, James Wierzbicki, Lyn Murray, Miklós Rózsa, New York City, New York, Paramount Pictures, Psycho (1960), Ray Milland, Rebecca (1940), Royal S. Brown, Sidney Bernstein, Spellbound (1945), Steven C. Smith, Torn Curtain (1966), Twentieth Century-Fox Film Corporation, Vertigo (1958), William H. Rosar
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