Details
- article: Beyond "The Gaze": Žižek, Hitchcock, and the American Sublime
- author(s): Tom Cohen
- journal: American Literary History (01/Jul/1995)
- issue: volume 7, issue 2, pages 350-378
- DOI: 10.1093/alh/7.2.350
- journal ISSN: 0896-7148
- publisher: Oxford University Press
- keywords: Academy Awards, Alfred Hitchcock, Blackmail (1929), Cary Grant, David O Selznick, Doris Day, François Truffaut, Fredric Jameson, Grace Kelly, Gregory Peck, Ingrid Bergman, Jessie Royce Landis, MacGuffin, Marnie (1964), North by Northwest (1959), Paramount Pictures, Peter Lorre, Psycho (1960), Rope (1948), Saboteur (1942), Salvador Dalí, Secret Agent (1936), Slavoj Žižek, Spellbound (1945), St. Moritz, Switzerland, Suspicion (1941), The 39 Steps (1935), The Birds (1963), The Lodger (1927), The Man Who Knew Too Much (1934), To Catch a Thief (1955), Tom Cohen, Universal Studios, Vertigo (1958), William Rothman, Éric Rohmer
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