Marnie (1964) - quotes
Quotations relating to Marnie (1964)...
When I met him in '63, when we were doing ''Marnie'', I was the flashback sequence in ''Marnie''. So, we shot on another stage from the stage that Tippi and Sean Connery and everybody was working on, which was the main stage, and he would come over to the stage I was on. And he shot the flashback sequence with a huge lens. It was a German lens that looked like a lightbulb, and what it did was it distorted everything in the foreground, but made everything in the background sharp focus. And so, it was neat because I had Mr. Hitchcock to myself. He had no other distractions except me. So, he really took time to get to know me a little bit. And every year, then, he made sure I did a guest-starring appearance on ''Alfred Hitchcock Presents''.And 12 years went by, and he was casting ''Family Plot''. I wasn't the first choice. I think Al Pacino was the first choice. And Mr. Hitchcock didn't like to pay actors. And he was very upset that he had to pay Julie Andrews and Paul Newman $750,000 apiece to do ''Torn Curtain'', and he never got over that.So, when he got to ''Family Plot'', to get even over a $100,000 was, like, amazing. And he didn't want to pay Al Pacino whatever his price was then. And he'd just done ''Serpico'' and ''The Godfather'', and all that, so he was, like, big stuff. And so, then they were going to go to the next on the list. And I certainly wasn't the next on the list. I was about 15th on the list. But he jumped right away. He jumped over everybody. And he called my agent, and he said, you know, "I liked Bruce. I think Bruce would be good for the film."And so I went, and I saw him. I said, "Why would you want me to play this part?" He said, "Bruce, I-I never know what you're gonna do next. "I know that the frame is perfect. I know the shot works perfectly. All I want is to be entertained. I make entertaining movies."
— Bruce Dern (2001)
Other Quotes about Marnie (1964)
Hitch was not only my director, he was my drama coach, which was fantastic. I couldn't have had a better teacher. He not only helped me with developing the character of Melanie Daniels, he had me sit in on meetings with Evan Hunter; with Robert Burks, the D.P.; with Bobby Boyle, the set director; with, of course, Edith Head, who I worked very closely with on designing not only the clothes for "The Birds" and "Marnie" but my own private wardrobe. But in every phase of making that motion picture, he was sure that I was educated in it. And it was stunning. It was an amazing education that I received.
— Tippi Hedren (2000)