Hitchcock Chronology: Barbara Keon
Entries in the Hitchcock Chronology relating to Barbara Keon...
1946
March
- The Hitchcocks and production assistant Barbara Keon work on the script for The Paradine Case.[1]
1950
August
- Hitchcock begins regular script meetings for Strangers on a Train with Raymond Chandler at the novelist's house in La Jolla in early August. The meetings become increasingly awkward, party due to Chandler's alcoholism. When Chandler breaks into a drunk rant about the script, Hitchcock walks out telling his associate producer Barbara Keon that "he's through" and begins looking for a replacement writer.[2]
October
- Hitchcock hires Czenzi Ormonde to write script for Strangers on a Train. At their first script meeting, Hitchcock pinched his nose, picked up Raymond Chandler's script for the film with his thumb and forefinger and then theatrically dropped it into the nearest waste paper basket. After spending a couple of weeks working with Ormonde, Barbara Keon takes over and the two women work non-stop to complete the script.[3]
November
- Czenzi Ormonde and Barbara Keon complete their rewrite of the Strangers on a Train script.[4]
1952
April
- Warner Bros object to elements of the screenplay for I Confess, including the ending which has the priest being executed, forcing Hitchcock and Barbara Keon to hastily rewrite the scenes.[5]
August
- 21st - I Confess principal photography begins in Quebec. Hitchcock hires Barbara Keon to work on several of the film's more difficult scenes.[6]
References
- ↑ The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, page 294
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 445
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, pages 446-49
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, page 449
- ↑ Alfred Hitchcock: A Life in Darkness and Light (2003) by Patrick McGilligan, pages 457-58
- ↑ The Dark Side of Genius: The Life of Alfred Hitchcock (1983) by Donald Spoto, pages 338