Hitchcock Chronology: Norman O'Neill
Entries in the Hitchcock Chronology relating to Norman O'Neill...
1957
May
- 9th - Herbert Coleman writes to Kay Selby at Paramount British Productions Ltd. in London asking for her help in tracking down a recording of Norman O'Neill's score for the 1920 production of J.M. Barrie's play Mary Rose. Hitchcock is keen for Bernard Herrmann to hear the recording and use it as a guide for Vertigo.[1]
- 17th - Kay Selby at Paramount British Productions Ltd. replies to Herbert Coleman to say she has managed to track down possibly the only surviving recordings of Norman O'Neill's score for the 1920 production of J.M. Barrie's play Mary Rose. The old recordings are held by Schott Music and are "scratched and ghastly".[2][3]
References
- ↑ Hitchcock and the Making of Marnie (2013) by Tony Lee Moral, page 206
- ↑ Hitchcock and the Making of Marnie (2013) by Tony Lee Moral, page 206
- ↑ Wikipedia: Schott Music
