Jump to: navigation, search

Karen Black - quotes

Quotations relating to actress Karen Black...

Film Pre-Production

The first day, I was supposed to meet Mr. Hitchcock up in his office... and show him the costumes for the film. Except that I wasn't wearing the costume. I was carrying the costume. And, of course, in the '70s, you had layers. So, I sort of had a big black hat on and I had a little suit. And then under the suit was something and then something with something else. So I met him and I said, "This isn't the costume for the movie. This is just what I was wearing." He said, "Oh, thank God. I thought this was going to be a movie about a nightmare."

Karen Black (2001)
keywords: Alfred Hitchcock, Family Plot (1976), and pre-production

Casting

While I was in Vienna, I was shooting a movie called ''Crime and Passion'' for Ivan Passer with Omar Sharif. And I was offered two pictures. One was the W.C. Fields biographical film and Hitchcock's film. And, of course, there was no choice. You know, working with Hitchcock was going to be the thrill of a lifetime. But I wanted the other part. I wanted the Barbara Harris part. I wanted to be, you know, the kind of clairvoyant who really wasn't all so clairvoyant. And I imagined her, and I thought she could have a Southern accent and kind of a low blouse. I had this whole idea of what she should be like, and I thought it would be very funny. So I passed that along, and Mr. Hitchcock wouldn't hear of it. So I was very thrilled. I came back to town to do ''Family Plot''.

Karen Black (2001)

Film Production

I had never heard that Mr. Hitchcock drew everything and then shot it. And you have to remember that I was from the '70s, where at that particular point in the history of film people were throwing up a lot in films, and they were sweating and drooling and improvising and walking off camera, and if things were blurry, that was okay, and they were using at lot of zooms. So, his style was very different from what I was used to.

Karen Black (2001)
keywords: Alfred Hitchcock, Family Plot (1976), and production
Black talks about how Hitchcock pre-edited his films before filming began...

To pre-edit a scene, and then shoot it the way you want to edit it... and then edit it is... insane, because it's not possible. You'll never get a good scene that way. But Hitchcock got a great scene every time. What's exceptional, really, isn't that he was so adamant and such a perfectionist. What's amazing is that it worked!

Usually, you have in your mind a notion of how this scene is going to look, how it's going to run, how it's going to feel. And then you put it there like you imagine it... it doesn't work!! So, you have to re-edit, and then you have to re-edit that. Then you have to reedit that. But what he did was almost supernatural when you think about it. He pre-thought it so thoroughly and with such an accurate imagination that when you cut it, it worked just the way he thought it would... every time, every scene, every movie!

Karen Black (2001)
keywords: Alfred Hitchcock, Family Plot (1976), and production

The scene in the kitchen was very difficult to do for an actor because it was a scene in which you started the scene and 30 or 40 seconds into the scene, you wept. That's hard to do because usually you're prepared, and then they start shooting. Then you can cry rather easily. So this was very difficult.

They shot it twice, and the second time, it was very good. I cried just when I should have, and I thought it was wonderful. But he printed only the first one, and I went to find him. And he was sitting sort of near the kitchen turned away from the camera. And I said, "Mr. Hitchcock, please, I was so much better in the second take. I really wept when I should, and I..." And he said, "All right. Print the second one as well. Yeah, that's fine." And then when I saw the movie, of course, you never see the scene. You only hear the scene. It's Bruce Dern listening to the people in the kitchen. You never see it. So, that explained it.

Karen Black (2001)