Onfilm (2011) - Park Road Post to preserve 'lost' Hitchcock film
- trade publication article: Park Road Post to preserve 'lost' Hitchcock film
- journal: Onfilm (01/Aug/2011)
- issue: page 18
- journal ISSN: 0112-2789
- publisher: Mediaweb Ltd
- keywords: Alfred Hitchcock, Betty Compson, British Film Institute, David Sterritt, Graham Cutts, New Zealand, Nitrates, Parks, The White Shadow (1924)
After a world-wide search, a large part of The White Shadow (1923), thought to be the earliest surviving feature by Alfred Hitchcock (1899-1990), the celebrated master of suspense, has been found in New Zealand – just in time for the filmmaker’s 112th birthday.
A wild, atmospheric melodrama starring Betty Compson in a dual role as twin sisters, one angelic and the other “without a soul,” the lost film turned up among the cache of unidentified American nitrate prints safeguarded for the last 23 years by the New Zealand Film Archive. So far, only the first three reels of the six-reel feature have been found; no other copy is known to exist.
The White Shadow was among the many silent-era movies salvaged by New Zealand projectionist and collector Jack Murtagh. After his death in 1989, the highly flammable nitrate prints were sent to the Film Archive for safekeeping by Tony Osborne, the collector’s grandson. The Hitchcock film is just one of the treasures uncovered, including John Ford’s Upstream, which owe their survival to Murtagh’s passion for early cinema. Reflecting on his grandfather’s passion, Tony Osborne says, “From boyhood, my grandfather was an avid collector – be it films, stamps, coins or whatever. He was known, internationally, as having one of the largest collection of cigarette cards and people would travel from all over the world to view his collection. Some would view him as rather eccentric. He would be quietly amused by all the attention now generated by these important film discoveries.”
Like Upstream, the surviving reels of Hitchcock’s The White Shadow will be preserved at Park Road Post Production in Wellington. Black and white duplicate negatives will be struck from the original nitrate material and colour prints made which will replicate the tints used in the original print. “It’s exciting to work on the preservation of yet another historically significant film here at Park Road and we feel privileged to be involved in such an important project”, says Head of Laboratory, Brian Scadden.
“This is one of the most significant developments in memory for scholars, critics, and admirers of Hitchcock’s extraordinary body of work,” said David Sterritt, Chairman of the National Society of Film Critics and author of The Films of Alfred Hitchcock. “At just 24 years old, Alfred Hitchcock wrote the film’s scenario, designed the sets, edited the footage, and served as assistant director to Graham Cutts, whose professional jealousy toward the gifted upstart made the job all the more challenging. Hitchcock’s own directorial debut came only two years later. These first three reels of The White Shadow – more than half the film – offer a priceless opportunity to study his visual and narrative ideas when they were first taking shape.”
In addition to the preservation work on The White Shadow and Upstream carried out in New Zealand, many other titles for preservation have been identified amongst the latest find. They include the early Technicolor film The Love Charm (1928), early narratives from pioneering woman directors Muriel Ostriche and Alice Guy, a 1920 dance demonstration by ballerina-choreographer Albertina Rasch, a tantalizing fragment from the Keystone Kops’ lost slapstick comedy In the Clutches of the Gang (1914), and a number of other shorts and newsreel stories long unavailable in the United States.
The ‘lost’ films will be preserved over the next three years in partnership with the US National Film Preservation Foundation (NFPF), the Academy of Motion Picture Arts and Sciences, George Eastman House, the Library of Congress, the Museum of Modern Art and UCLA Film & Television Archive and made available in the United States.
Copies of the films will also be publicly available in New Zealand. Many will be viewable on the NFPF Website. Plans for a re-premiere screening will be announced soon. An additional print of The White Shadow will be presented to the British Film Institute in honour of its Hitchcock rescue project.
The New Zealand Film Archive / Ngā Kaitiaki O Ngā Taonga Whitiāhua (www.filmarchive.org.nz), which this year celebrates its 30th birthday, preserves and protects New Zealand’s moving image history, housing over 150,000 titles spanning feature films, documentaries, short films, home movies, newsreels, TV programmes and advertisements.
The National Film Preservation Foundation (www.filmpreservation.org) is the nonprofit charitable affiliate of the National Film Preservation Board of the Library of Congress. Since starting operations in 1997, the NFPF has helped save more than 1,810 films at archives, libraries, and museums from all 50 states, Puerto Rico, and the District of Columbia.