The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage, and Commemoration (2011) edited by Douglas A. Cunningham
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| Douglas A. Cunningham | |
| Scarecrow Press (2011) | |
| ISBN 0810881225 (hardback) | |
| LibraryThing | |
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Contents
Part I: Vertigo and the Weight of History
- Whose Grave? Hitchcock's Vertigo and the Sad Specters of the Mission Dolores Cemetery - Joshua Kitching
- Baroque Vertigo - Roland Greene
- Souvenirs of a Killing: Vertigo, Empire, and the California Mission Revival - Martin Kevorkian & Stanley Orr
- VistaVision and the Cinematic Landscape of Vertigo - Ana Salzberg
Part II: Vertigo's Wanderers: On Seeking the Cinematic Sacred]]
- Alfred Hitchcock's San Francisco: You Can Hang by Your Fingers with James Stewart, Dream in the Fog with Kim Novak, and Relive Their Terrifying Love Story on the Vertigo Tour - Michael Oliver-Goodwin & Lynda Myles
- It's All There, It's No Dream: Vertigo and the Redemptive Pleasures of the Cinephilic Pilgrimage - Douglas A. Cunningham
- The Frustration of Reality/Illusion: Searching for Vertigo on the Cinephilic Pilgrimage - L. Lelaine Bonine
- Travelogue as Traumalogue: Space, Place and Memory in Vertigo - Diane Borden
- Beyond Location: Vertigo and the Capacity for Wonder - Henrik Gustafsson
- In the Gallery of the Gaze: The Museum in Hitchcock's Vertigo - Steven Jacobs
Part III: Marking Vertigo: Validations in Time and Space
- Proposed Locations: On Postmodern Tributes to Vertigo and Place - Cindy Bernard in conversation with Douglas A. Cunningham
- The Vestiges of Vertigo in Contemporary Art: Cindy Bernard, David Reed and Douglas Gordon - Christine Sprengler
- Only One Is a Wanderer: Guiding Tours of Vertigo Sites - Miguel Pendás
- Vertigo: The Heart of San Francisco - Jeff Kraft & Aaron Leventhal
- Mapping/Marking Cinephilia: The Case for a Vertigo Heritage Trail - Douglas A. Cunningham
Synopsis
In Sight and Sound magazine's 2012 poll of the greatest films of all time, Vertigo placed at the top of the list, supplanting Citizen Kane. A favorite among critics, it also made the American Film Institute's 100 Years, 100 Movies where it ranked in the top 10. Often regarded as Hitchcock's most personal work, the film explores such themes as obsession, exploitation, and voyeurism. In "The San Francisco of Alfred Hitchcock's Vertigo: Place, Pilgrimage, and Commemoration", Douglas A. Cunningham has assembled provocative essays that examine the uniquely integrated relationship that the 1958 film enjoys with the histories and cultural imaginations of California and, more specifically, the San Francisco Bay Area. Contributors to this collection ponder a number of topics such as the ways in which Vertigo resurrects the narratives of San Francisco's violent past; how sightseeing informs the act of watching the film; the significance that landmarks in the film hold in our collective cultural memory; and the variety of ways in which Vertigo enthusiasts commemorate the film. The essays also ask larger questions about the specificities of place and the role such specificities play in our comprehensive efforts to understand this layered and seminal film. Because of its interdisciplinary approach, The San Francisco of Alfred Hitchcock's Vertigo will have a broad appeal to scholars of film, anthropology, geography, ethnic studies, the history of California and the West, tourism, and, of course, anyone with an abiding interest in the work of Alfred Hitchcock.
Reviews
Cunningham himself has been to all the locations, of course, and reflects on the passion that makes him and others hunt them out: "Was I not, after all, like Scottie, hoping to reify an apparition, chasing a precious, enigmatic memory rooted in a fiction, the truth of which I desperately hoped I, in my own time and space, could somehow make real?" The attempt is fraught with disappointment; Scottie cannot make things real in time enough to prevent tragedy, and some of the sites which pilgrims might try to attain are changed beyond recognition (and some are complete illusion, as was discovered by the first pilgrims who tried to find the Argosy Bookshop, where Scottie goes to research Carlotta's history). But the search is inspiring for those who want to visit the inside workings of Vertigo. The inspiration suffuses all the chapters of this fine study, a worthy contribution to the numerous books devoted to increasing our understanding of a true masterpiece.
— The Commercial Dispatch
