PMLA (1987) - Rape versus Mans/Laughter: Hitchcock's Blackmail and Feminist Interpretation

Details

• article: Rape versus Mans/Laughter: Hitchcock's Blackmail and Feminist Interpretation
• author(s): Tania Modleski
• journal: PMLA (01/May/1987)
• issue: volume 102, issue 3, pages 304-315
• journal ISSN: 0030-8129
• publisher: Modern Language Association
• Sloan's Alfred Hitchcock: A Filmography and Bibliography (1995) — page 493, #824
• keywords: "A Hitchcock Reader" - edited by Marshall Deutelbaum and Leland A Poague, "Hitchcock's British Films" - by Maurice Yacowar, "The Art of Alfred Hitchcock" - by Donald Spoto, "The Dark Side of Genius: The Life of Alfred Hitchcock" - by Donald Spoto, "The Silent Scream: Alfred Hitchcock's Sound Track" - by Elisabeth Weis, "The Strange Case of Alfred Hitchcock" - by Raymond Durgnat, Alfred Hitchcock, Anny Ondra, Blackmail (1929), British International Pictures, Charles Barr, Chicago, Illinois, Claude Chabrol, Cyril Ritchard, Deborah Linderman, Donald Calthrop, Donald Spoto, Elizabeth Weis, François Truffaut, Fredric Jameson, Frenzy (1972), Joan Barry, John L. Russell, John Longden, John Russell Taylor, Language, Laura Mulvey, Leland Poague, Linda Williams, Lindsay Anderson, Marshall Deutelbaum, Maurice Yacowar, Motion pictures, New York City, New York, PMLA (1987) - Rape versus Mans/Laughter: Hitchcock's Blackmail and Feminist Interpretation, Patricia Hitchcock, Rape, Raymond Bellour, Raymond Durgnat, Robin Wood, Scotland Yard, Screen (1975) - Visual pleasure and narrative cinema, Tania Modleski, Violence, Women, Éric Rohmer

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Links

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• jstor.org

Abstract

Violence inflicted upon women in films silences and subdues not only the women in the films but also the women watching. Hitchcock's "Blackmail" is discussed from the viewpoint of a feminist.